The Glass Art Guild regularly schedules national instructors as well as talented local instructors. These classes are offered at a discount to our members prior to being opened to the general public.
No Classes are currently scheduled.
Guild History of Classes:
Instructor: Jodi McRaney Rusho
Members: $125 (contact Jodi for Guild Pricing Discount Code)
This fast paced workshop covered how to make a variety of different size, shape and style of kiln formed beads using Glass With a Past bead molds.
-This is class will used CoE90 art glass, stringers, powders and frits.
Some techniques that were covered:
-Frit and powder beads in lentil and square shapes
-Scrap glass beads in lentil, square, channel and triangle bead molds
-Fused Beads with Mica Decals
-Fused beads with stringer and dots
-Fused beads with nichrome loops to make components
-Fused glass bails
-Fused beads for use in chimes and ornaments
-Painted fused beads
-Fused beads with Murrini
GLASS INCLUSIONS and RAKU GLASS (1 day workshop)
Instructor: Philip Teefy
– Members: Approx $175-200 ($90 non-refundable deposit)
– Public: Approx. $275-300 ($120 non-refundable deposit
Several guild members recently enjoyed a one day Raku glass workshop with Phill Teefy. Phill’s definition of “Raku”, as an art form, is “unexpected/unknown result”. We combined metal inclusions with various chemicals to produce different colors. We then fused our inclusions between different layers of glass. We had a sand casting demonstration where molten glass was poured into a sand mold, an inclusion was added, then the inclusion was covered with with more molten glass.
COLOR & COMPOSITION
Instructor: Lester Lee
Date: Saturday, May 16, from 9 a.m. to 3 p.m.
Location: Red Butte Garden, in their 2nd floor classroom (30 seats available)
Jacobsen Art Glass (JAG) – Wayne Jacobsen Instructor
Maximum class size 6 minimum 4
Quails on a Rock $149 for GAGU members in good standing. Public $199 . Must have basic cutting experience. JAG donates $10/student to GAGU.
Class includes all materials and 1 firing at JAG Studio. 4 hours on first day to make quails and 1/2 hour on the 2nd day to mount the quails in rock. ( this can be scheduled)
You will create 2 quails with an attached heavy gage wire embedded in the glass and mounted in a feather light rock. The short second day is to epoxy mount the quails. Refreshments provided during short break.
Registration: Reserve you spot by email to email@example.com. Payment must be made 2 weeks prior to class date. Mail check: to Wayne Jacobsen, 738 Walden hills drive, Murray 84123
Equipment needed: safety glasses, glass cutter and breaking pliers, closed toe shoes.
MOLD MAKING and GLASS CASTING
Instructor: Jack Bowman
May 17 & 18, 2014
Glass Artists of Utah are offering an exciting new class taught by Jack Bowman of Spectrum Glass.
the two and one/half day class will be on May 17 and 18 with the last 1/2 day voted on by attendees.
The $300.00 (for GAGU Members) and $400.00 for non-members) includes materials, lunch and snacks on both full days and you will walk away with a 9″ by 14″ by 1″ thick piece of glass Art.
You will learn Mold making, glass casting, glass inclusions, use of glass metallic and the cold working process, plus
all fusing stages, temps and annealing.
PRECIOUS METAL CLAY with GLASS
Instructor: Kaleen Knight
We had a full class of Guild members travel out to Stockton, UT on Saturday to attend Kaleen Knight’s Metal Clay and Glass class.
We each were able to complete several projects, including torch-firing fine silver components, setting glass cabochons in art clay silver (using any one or more of a variety of techniques that Kaleen demonstrated), and creating a silver inclusion pendant. Kaleen is an excellent instructor and was very patient with all of us.
SAND PAINTING with FRIT
Instructor: David Alcala
May 4th & 5th, 2013
The Glass Art Guild had the pleasure of hosting David Alcala on May 4th and 5 for two one day workshops about Sand Painting with Frit. Guild Member Dana Worley generously shares her photos. Complete commentary and additional photos of Dana (and other members) experience in the workshop can be found on her website: Jester’s Baubles.
Instructor: Peter McGrain
September 13-15, 2012
The purpose of this workshop is to introduce students to the techniques involved in Traditional Glass Painting and the Vitri-Fusáille® process. An emphasis is placed on informing students about which materials and techniques are available, how they are accomplished, and what the potential for their artistic use can be. Experienced glass painters, as well, are encouraged to participate as a way to broaden their own experiences with the medium.
DESCRIPTION: Authentic Traditional Glass Painting is a mandatory skill for any glass artist interested in achieving greater visual sophistication in their work. This class offers a comprehensive introduction into the various aspects of genuine glass painting techniques, including the use of traditional glass stainer’s paints, silver stains, and kiln-fired enamels. Topics include historical overview of applications and techniques, material types and their sources, with an emphasis on the techniques of tracing, matting, stippling, controlling hardness, application alternatives, studio setup and more. Vitri-Fusáille® is a new glass term which describes the combined processes of flat glass Fusing and Traditional Glass Painting. It is characterized by a degree of expressive, color saturated, illustrational imagery which cannot be found in other glass formats which utilize these processes.
Vitri-Fusáille® allows the artist an opportunity to create vivid imagery in glass without being confined by the traditional presence of interfering lead lines or fragmented compositions. The process involves the creation of specially prepared fused glass tiles which are subsequently enhanced using traditional glass painting techniques. Students begin the process through a series of design strategies which lead to an attainable project plan. Base tiles are then created by fusing a color field layer of System 96 cathedral glass over an underlying substrate of clear System 96 glass. These layers are fused together to form a 1/4” thick tile upon which the painted imagery will be applied. Using a variety of learned traditional glass painting techniques, the final imagery of the art piece is then developed and accomplished with several separate paint applications and kiln firings. Finished tiles can then be framed or integrated into more traditional glass working formats.
This workshop is a fantastic way to introduce students to Traditional Stained Glass Painting techniques and basic fusing. An increased awareness of both of these techniques will allow the student to become far more expressive and vocationally engaged with their work. This
will, in turn, motivate them to become more artistic with their glass interest. Host suppliers, retailers and teachers will discover that this workshop is a great way to increase their sales by cultivating interest and a demand for the related supplies and workshops.
ADVANCED FUSING TECHNIQUES
Intensive 3-Day Advanced Class with Patty Gray
Pattern Bars, Sushi Plates, and More
December 11-13, 2010
There will be lots of “hands-on” projects focusing on developing new ideas and designs with techniques and methods learned in the class. We will explore techniques to create depth and surface design elements using frits, powders, stringers, powder wafers, metals, mica powders, iridized and dichroic glass.
Several techniques in kiln casting glass such as positive and negative image casting and lost wax will be taught. Students will be shown how to use a kiln to melt glass bricks or billets over the top of a refractory plaster model in a manner that will leave an image in relief in the back of the glass. Also this class will teach how to recreate either found objects or other art objects in glass by using glass of various forms.
September 11,12 2010
9:00 AM – 4:00 PM
196 W. Malvern Ave. (2630 South)
Salt Lake City, Utah. 84115
In this two-day workshop students will explore the fundamentals of different ways of kiln casting glass in a solid and three dimensional way. No previous kiln casting experience is necessary. Several techniques in kiln casting glass such as positive and negative image casting and lost wax will be taught. Students will be shown how to use a kiln to melt glass bricks or billets over the top of a refractory plaster model in a manner that will leave an image in relief in the back of the glass. Also this class will teach how to recreate either found objects or other art objects in glass by using glass of various forms.
This as a Glass Art Guild of Utah sponsored class and Guild members will receive $100 discount off the regular $300 cost for this class. There will also be a $25 material fee due at the beginning of class.
A $100 deposit is required to save your spot in the class and is due by August 15, 2010. Deposits can be mailed or dropped of at Spectrum Studios 196 W. Malvern Ave. Salt Lake City UT 84115. Make checks payable to Glass Art Guild of Utah.
March 27th and 28th, 2010
9:00 AM to 4:00 PM
196 W. Malvern Ave. (2630 South)
Salt Lake City, Utah. 84115
Glass Art Guild of Utah have put together another fantastic glass forming workshop. This time we’re making and pulling cane from the glory hole for making bracelets, beads, paper weights, pattern bars, hot parts or other components to use as a design element in other work or for fusing them together all by themselves either way making and pulling cane is a fun and exciting activity. It’s a great exercise in handling molten glass and will teach you ways of creating glass cane and pattern bars with much detail enabling you to put your own unique style into your fused, cast or lamped worked glass.
Several ways of making cane and pattern bars using the glory hole will be taught. Some of these techniques will include gathering molten glass with a punty rod then combining that glass with glass strips, stinger, frits, powder or rods. After working that glob of glass in the glory hole to a soft and pliable state it is then pulled out into a long thin cane. Also a process of building a pattern design in a square glass box that in turn is heated in the glory hole and pulled into a thin cane maintaining the detailed design work of the original box throughout the cane. Each student will have ample time to create their own work. The crucible kiln will be fired up as well to give us a large supply of molten glass to gather from. If you are not familiar with working with glass in this way don’t worry no previous experience is necessary. We will take you from start to finish and show you all you need to know to create incredible work.
In this 2-day class the first day will be spent on the fundamentals of working with the equipment, making lattacino canes and creating canes for use the following day in more detailed and complex cane and pattern bar pieces. Students of the class will also have an opportunity to rent time on the equipment outside of the time spent in the class.
Cost is $150.00 per student and even though all materials are included (in 90 COE) students are encouraged to bring any special colors they would like to use. Anyone wanting to use anything other than 90 COE glass are welcome to bring their own glass.
Please contact Stacy to sign up. We will need a deposit of $75.00 before the 5th of March to hold your spot. Also, there are only 10 spots available so get your name on the list if you are interested!
Instructor: Michael Dupille
Beginning Fritography (2-day class)
The painterly use of crushed glass frits and powders has opened up a whole new world of artistic imagery. Anything is possible when working with small particles of glass from tight, photo-realism to loose impressionism. Working in the panel format, you will learn how to control color density, shading, soft and hard edge lines and some unique specialty looks. The class will make a glass tile as well as some “technique pieces” to assure a solid understanding of the principals involved. Estimated cost $325
Sunday – Tuesday, October 18 thru 20
Advanced Fritography (3-day class)
Continuation of skill and detail beyond beginning classes. Estimated cost $400
Fifty percent non-refundable deposit due on July 1st.
Balance due on September 11, 2009
More about Michael Dupille:
Visit Michael Dupille’s Website